UGC 제품×연출 지도

STYLE:
Vertical 9:16, polished TVC cinematography — stable gimbal-smooth movement, deliberate framing, commercial-grade lighting and color. Light, mood-matched score under the whole spot, with selective ambient/product sound. No spoken dialogue is required; final message lands as clean on-screen graphics.

Pore-level skin realism — visible pores, fine vellus hair, natural asymmetry in the face and hands. Skin stays unsmoothed and unretouched; part of the face is allowed to fall into shadow.
Matte, non-reflective surfaces. Lived-in, worn materials with real wear on them. No plastic sheen, no digital gloss.
Hair keeps individual strands and stray flyaways rather than a moulded shape.
This is a real person filmed on a phone, not a rendered portrait.

REFERENCES:
@Image1 — the person: 30대 한국 남성, 짧은 검은 머리, 짙은 회색 크루넥 스웨트셔츠, 편안한 표정. 100% match.
@Image2 — the product: 따뜻한 원목 카운터, 에스프레소 머신, 창가 화분, 펜던트 조명. 100% match; every word, logo and label exactly as the reference.

Scope — @Image1 carries appearance AND performance: it is also how this person holds themselves. @Image2 carries appearance ONLY — no pose, no motion, no performance. @Image3 and beyond (further angles of the same product, or this person's face close-up) carry appearance only. No reference contributes a scene, a camera move or a spoken line, and where a reference and this prompt disagree about what happens, this prompt decides.

LOCATION:
Inside a small neighborhood cafe with a warm wooden counter, an espresso machine, a potted plant by the window, and a pendant light hanging overhead.

FIRST FRAME:
0.0s — 30대 한국 남성, 짧은 검은 머리, 짙은 회색 크루넥 스웨트셔츠, 편안한 표정 already mid-moment in Inside a small neighborhood cafe with a warm wooden counter, an espresso machine, a potted plant by the window, and a pendant light hanging overhead., resting one hand lightly on the edge of the wooden counter, the product already visible or in use within the frame.

ACTION TIMING:
0–2s — Lifestyle medium shot opens on 30대 한국 남성, 짧은 검은 머리, 짙은 회색 크루넥 스웨트셔츠, 편안한 표정 mid-day, the product already sitting in reach among a single ceramic cup sitting beneath the espresso machine's spout or already resting one hand lightly on the edge of the wooden counter.
2–4s — Cut to a macro beauty insert of the product alone, carefully lit, isolating 따뜻한 원목 카운터, 에스프레소 머신, 창가 화분, 펜던트 조명 so texture, logo and surface read clean.
4–7s — Back on 30대 한국 남성, 짧은 검은 머리, 짙은 회색 크루넥 스웨트셔츠, 편안한 표정, a tight close-up or medium shot catching her reaction as she performs its one control: reaching over with one hand and pressing the espresso machine's single brew switch, the hand staying near the machine as it starts to hum
7–10s — steam rises softly from the machine as a thin stream of espresso begins to drip into a cup already sitting beneath it shown once, clearly, in a single unbroken action beat.
10–13s — Pull to a wider frame taking in the room and the people around her; the warm light from the pendant lamp catches the steam curling up from the espresso machine, showing the counter and corner seat are lived-in and quietly occupied settles into her face as the emotional payoff of the moment lands.
13–15s — Cut to a still, composed end frame, the product centred, branding readable, held static as carries over the top. If anything came off the product at any point — cap, lid, seal, film, wrap, zip pull, band — it is still resting exactly where it was set down, visible in this frame; if the product has no separable part, nothing is set down and nothing is expected here.

DIALOGUE:
0–4s — "다들 이 동네에 조용히 앉을 데 없다고 하잖아요"
4–7s — "여기 문 닫으면 진짜 그럴 데 하나도 없어요"
7–10s — "구석 자리에 앉아보세요, 아무도 신경 안 써요"
10–15s — "동네에 이런 데 하나쯤 있어야 하지 않아요?"

PERFORMANCE:
LINE_1 — 동네 사람들의 답답함을 대변하려는 의도, 살짝 눈썹을 찌푸리며 창밖을 한번 보고 다시 카메라 쪽으로 시선을 돌린다
LINE_2 — 상실감을 실감나게 전달하려는 의도, 카운터를 손끝으로 가볍게 쓸며 목소리를 살짝 낮춘다
LINE_3 — 직접 권유하며 편안함을 보여주려는 의도, 손으로 구석 자리를 가리키고 옅은 미소를 짓는다
LINE_4 — 듣는 사람에게 되묻듯 마무리하려는 의도, 고개를 살짝 기울이며 담담하게 웃는다
Gaze stays engaged and alive the whole way through, with a natural blink cadence and active forehead and brows. No frozen mask-face, no dead eyes, no held stare parked between lines. Micro-motion continues while the person is not speaking — breathing, a small shift of weight, a glance.

PHYSICS:
- 원목 카운터는 오랜 세월 손길에 매끈하게 닳은 결을 가진 단단한 목재다
- 에스프레소 머신은 스팀을 뿜을 때 낮은 압력음과 함께 살짝 진동한다
- 창가 화분의 잎은 바람이나 손길에 가볍게 흔들리고, 펜던트 조명은 고정된 채 은은한 빛만 흘린다
- NEVER: 원목 카운터가 액체처럼 휘거나 흐르지 않는다

AUDIO:
A soft, unhurried acoustic instrumental plays low under the scene, mixed with the faint sound of the espresso machine's hiss and quiet ambient room tone; the spoken lines stay the loudest element throughout.

LOCKS:
① Exactly one product: one unit only, present from the first frame. It is never handed over, unboxed, revealed or duplicated — anything the use moment produces came from it on camera.
② Product surface text lock: print, logo and label exactly as @Image2. Nothing is ever printed onto it.
③ Only the person, the product and what PROPS names — plus the people named in the wider payoff shot — are what the shot features; the location's own fixtures and furniture may be present but stay unbranded and out of focus. No other brand's product, packaging, logo or readable mark appears anywhere.
④ Lens gaze: never to-lens; she stays inside the moment, eyes on the product, the room or the people around her throughout.
⑤ Continuity of parts and hands: **if** anything comes off the product — a cap, a lid, a film, a wrap, a zip pull, a band — it stays visible somewhere in frame for the rest of the clip and is never re-attached, re-sealed or allowed to vanish between shots. Many products have no separable part at all; for those this clause simply does not apply and nothing is expected to be set down. The hands obey the same continuity either way: a control that needs two hands is not performed while one hand is holding something else.

PROPS:
a single ceramic cup sitting beneath the espresso machine's spout

STYLE:
Vertical 9:16, premium CGI-grade commercial footage — rapid ad grammar, extreme macros, push-ins, snap moves, orbit passes, speed ramps, shallow DOF, tasteful motion blur. No people, no hands, no voice-over dialogue from a person. No on-screen text unless the script demands it.

Pore-level skin realism — visible pores, fine vellus hair, natural asymmetry in the face and hands. Skin stays unsmoothed and unretouched; part of the face is allowed to fall into shadow.
Matte, non-reflective surfaces. Lived-in, worn materials with real wear on them. No plastic sheen, no digital gloss.
Hair keeps individual strands and stray flyaways rather than a moulded shape.
This is a real person filmed on a phone, not a rendered portrait.

REFERENCES:
@Image1 — the person: 30대 한국 여성, 검은 머리를 낮게 묶고 옅은 미소. Not present in frame; reference unused in this no-people format.
@Image2 — the product: 흰 도자기 접시에 담긴 버섯 크림 파스타, 굵은 후추. 100% match; every word, logo and label exactly as the reference.

Scope — @Image1 carries appearance AND performance: it is also how this person holds themselves. @Image2 carries appearance ONLY — no pose, no motion, no performance. @Image3 and beyond (further angles of the same product, or this person's face close-up) carry appearance only. No reference contributes a scene, a camera move or a spoken line, and where a reference and this prompt disagree about what happens, this prompt decides.

LOCATION:
a small trattoria-style restaurant table with warm pendant lighting, a plain white ceramic plate set on a wooden table

FIRST FRAME:
0.0s — extreme macro fragment of what the product is made of, filling the frame, no product visible yet, as if the camera has plunged straight into raw material rather than holding a fork just above the plate, not yet touching the pasta.

ACTION TIMING:
0–3s — Three fast macro fragments of the product's raw material and texture cut one after another, filling the frame each time.
3–5s — The camera glides through this stylized sensory world at speed, closing in toward a single point where the product will resolve.
5–7s — The product resolves into the centre of the frame in one clean beauty shot, fully readable and intact, held beside none in a small trattoria-style restaurant table with warm pendant lighting, a plain white ceramic plate set on a wooden table.
6–9s — Ultra-macro inserts of its surface — gripping the fork in one hand and spearing a portion of the creamy mushroom pasta with it, lifting the fork upward while the other hand rests on the table edge — reading grain, print and the way light sits on it.
8–11s — Pull back as the product rotates slowly against the material world around it, full-product angled beauty motion.
10–13s — twisting the fork slowly so the cream-coated strands wind around the tines without separating as the opening fragments orbit past the product, payoff of flavor or texture in motion.
11–15s — Everything settles into a still, centred hero packshot. the cream visibly clings and stretches between the lifted pasta and the plate as the fork twists, staying attached instead of dripping off sits legible in the final frame as the closing line plays. If anything came off the product at any point — cap, lid, seal, film, wrap, zip pull, band — it is still resting exactly where it was set down, visible in this frame; if the product has no separable part, nothing is set down and nothing is expected here.

DIALOGUE:
0–3s — "이 파스타, 포크로 딱 들어 올리는 순간 봐보세요."
3–7s — "면에 크림이 그대로 붙어서 안 떨어져요."
7–11s — "포크를 돌려도 계속 따라오는 거 보이시죠."
11–15s — "이 정도면 크림이 면을 완전히 붙잡고 있는 거예요."

PERFORMANCE:
LINE_1 — 시청자의 시선을 포크 끝으로 끌어오려는 의도, 살짝 몸을 기울이며 눈은 포크를 향한다
LINE_2 — 놀라움을 나눠주려는 의도, 눈을 살짝 크게 뜨고 포크를 든 손을 멈춘다
LINE_3 — 증거를 직접 보여주려는 의도, 포크를 천천히 돌리며 카메라 쪽으로 살짝 기울인다
LINE_4 — 확신을 담아 마무리하려는 의도, 작게 고개를 끄덕이며 만족스러운 숨을 내쉰다
Gaze stays engaged and alive the whole way through, with a natural blink cadence and active forehead and brows. No frozen mask-face, no dead eyes, no held stare parked between lines. Micro-motion continues while the person is not speaking — breathing, a small shift of weight, a glance.

PHYSICS:
- 진한 버섯 크림 소스가 파스타 면을 코팅하듯 감싸고 있다
- 포크로 들어 올리면 크림이 면 사이에 끈적하게 붙어 점성 있게 늘어진다
- 굵은 후추 알갱이가 표면 크림 위에 점점이 얹혀 있다
- NEVER: 크림 소스가 면에서 흘러내리거나 접시 바닥에 물처럼 고이지 않는다

AUDIO:
punchy commercial sound design with a light airy riser and a soft bass hit as the fork lifts, plus crisp macro texture sound of the cream stretching; no music during the spoken lines, which stay the loudest element

LOCKS:
① Exactly one product: one unit only, resolving once at the beauty reveal and never duplicated — every fragment, particle or orbiting form seen belongs to it and originates from it on camera.
② Product surface text lock: print, logo and label exactly as @Image2. Nothing is ever printed onto it beyond that reference.
③ Only the product and what PROPS names, plus its own raw-material fragments, are in frame. No other brand's product, packaging, logo or readable mark appears anywhere, and no person ever enters.
④ Lens gaze: never to-lens — there is no person to look; the camera's gaze stays on the product and its material world throughout.
⑤ Continuity of parts and hands: **if** anything comes off the product — a cap, a lid, a film, a wrap, a zip pull, a band — it stays visible somewhere in frame for the rest of the clip and is never re-attached, re-sealed or allowed to vanish between shots. Many products have no separable part at all; for those this clause simply does not apply and nothing is expected to be set down. The hands obey the same continuity either way: a control that needs two hands is not performed while one hand is holding something else.

PROPS:
none

STYLE:
Vertical 9:16, photoreal phone footage — static locked-off front frame, single take, no cuts, no camera movement. Close-proximity ASMR recording. Available light only. No on-screen text, no graphics of any kind.

Pore-level skin realism — visible pores, fine vellus hair, natural asymmetry in the face and hands. Skin stays unsmoothed and unretouched; part of the face is allowed to fall into shadow.
Matte, non-reflective surfaces. Lived-in, worn materials with real wear on them. No plastic sheen, no digital gloss.
Hair keeps individual strands and stray flyaways rather than a moulded shape.
This is a real person filmed on a phone, not a rendered portrait.

REFERENCES:
@Image1 — the person: 30대 한국 여성, 검은 머리를 낮게 묶고 옅은 미소. 100% match.
@Image2 — the product: 오트밀색 비누 바에 말린 꽃잎, 거친 절단면, 나무 접시. 100% match; every word, logo and label exactly as the reference.

Scope — @Image1 carries appearance AND performance: it is also how this person holds themselves. @Image2 carries appearance ONLY — no pose, no motion, no performance. @Image3 and beyond (further angles of the same product, or this person's face close-up) carry appearance only. No reference contributes a scene, a camera move or a spoken line, and where a reference and this prompt disagree about what happens, this prompt decides.

LOCATION:
A small bathroom sink counter with a wooden soap tray, soft daytime light from a nearby window, no other branded products in frame.

FIRST FRAME:
0.0s — static front frame, the person already cradling the unwrapped oatmeal soap bar in one open palm, dried petals and rough-cut edge facing up, a microphone standing close to where the product will be worked, hands settling near it as if about to begin.

ACTION TIMING:
0–2s — Locked frame on the person beside the microphone; she taps two fingers near it or gives it a quiet check, no words yet.
2–5s — She slides the packaged product into frame close to the mic and runs a fingernail along its edge, its front face held clearly visible before opening.
5–8s — She performs the one control that opens it: using both hands to turn the bar once under running water, water sheeting off the rough-cut surface while the bar stays whole in her palms — lifting slowly, letting it settle, peeling back what lies beneath.
8–11s — She draws the product out with both hands and lifts it near the mic for a close reveal, its own sound coming through.
11–15s — rubbing the wet bar briefly between both palms until a creamy lather builds over the oat-flecked surface, then working that lather onto the back of one hand after rinsing the lather off, she runs two fingers slowly over the back of her hand and the skin visibly stays smooth and matte with no tight sheen or pulling She sits back and lands the closing line almost under her breath. If anything came off the product at any point — cap, lid, seal, film, wrap, zip pull, band — it is still resting exactly where it was set down, visible in this frame; if the product has no separable part, nothing is set down and nothing is expected here.

DIALOGUE:
0–2s — "이거, 손 씻고 나면 진짜 다르대서 궁금했거든요."
2–5s — "겉면부터 봐요, 이 꽃잎이랑 절단면 결이 그대로 살아있어요."
5–8s — "거품 내보면 오트밀 알갱이가 그대로 만져져요."
8–11s — "씻어내고 나서 손등 만져봤는데, 당기는 느낌이 하나도 없어요."
11–15s — "이 정도면 세안 비누로 계속 써도 되겠어요."

PERFORMANCE:
LINE_1 — 궁금함을 나누고 싶은 마음, 눈을 살짝 크게 뜨고 몸을 살짝 기울인다.
LINE_2 — 발견을 보여주고 싶은 마음, 비누를 살짝 들어 절단면을 카메라 쪽으로 기울인다.
LINE_3 — 감각을 생생히 전하려는 마음, 거품을 만지며 미세하게 손가락을 문지른다.
LINE_4 — 놀라움을 억누른 확신, 손등을 가볍게 쓸어보며 잠시 숨을 멈춘다.
LINE_5 — 담담한 결론을 건네는 마음, 작은 미소와 함께 고개를 살짝 끄덕인다.
Gaze stays engaged and alive the whole way through, with a natural blink cadence and active forehead and brows. No frozen mask-face, no dead eyes, no held stare parked between lines. Micro-motion continues while the person is not speaking — breathing, a small shift of weight, a glance.

PHYSICS:
- 압축된 오트밀색 비누 바 표면에 말린 꽃잎이 박혀 있고, 절단면은 거칠고 불균일하게 깨져 있다.
- 물에 닿으면 표면이 서서히 무르며 미세한 오트밀 입자가 손에 남는다.
- 거품은 크리미하고 조밀하게 일어나며, 나무 접시 위에서 비누는 무겁고 단단한 촉감으로 굴러간다.
- NEVER: 비누가 투명한 액체처럼 흘러내리거나 거품 없이 매끈한 젤로 변하지 않는다.

AUDIO:
no music; only close-mic diegetic sound — water running, the soap's rough surface catching against skin, faint lather squelching, and the spoken lines sitting clearly on top as the loudest element

LOCKS:
① Exactly one product: one unit only, present from the first frame. It is opened once and drawn out once — never duplicated, never re-boxed, never handed off; anything the use moment produces came from it on camera.
② Product surface text lock: print, logo and label exactly as @Image2. Nothing is ever printed onto it.
③ Only the person, the product, the microphone and what PROPS names are what the shot features; the location's own fixtures and furniture may be present but stay unbranded and out of focus. No other brand's product, packaging, logo or readable mark appears anywhere, and no second person enters.
④ Lens gaze: never to-lens; eyes stay on the product, the packaging and her hands throughout, camera fixed and unacknowledged.

⑤ Continuity of parts and hands: **if** anything comes off the product — a cap, a lid, a film, a wrap, a zip pull, a band — it stays visible somewhere in frame for the rest of the clip and is never re-attached, re-sealed or allowed to vanish between shots. Many products have no separable part at all; for those this clause simply does not apply and nothing is expected to be set down. The hands obey the same continuity either way: a control that needs two hands is not performed while one hand is holding something else.

PROPS:
a small wooden soap tray

STYLE:
Vertical 9:16, locked high-corner surveillance POV, ultra-wide with slight barrel distortion, low-fi security-camera grade, faint noise, timestamp burned into the corner. No cinematic cut-ins, no on-screen graphics beyond the faux REC/timestamp overlay.

Pore-level skin realism — visible pores, fine vellus hair, natural asymmetry in the face and hands. Skin stays unsmoothed and unretouched; part of the face is allowed to fall into shadow.
Matte, non-reflective surfaces. Lived-in, worn materials with real wear on them. No plastic sheen, no digital gloss.
Hair keeps individual strands and stray flyaways rather than a moulded shape.
This is a real person filmed on a phone, not a rendered portrait.

REFERENCES:
@Image1 — the person: 30대 한국 여성, 검은 머리를 낮게 묶고 옅은 미소. 100% match.
@Image2 — the product: 무광 모래빛 도자기 병에 라탄 스틱. 100% match; every word, logo and label exactly as the reference.

Scope — @Image1 carries appearance AND performance: it is also how this person holds themselves. @Image2 carries appearance ONLY — no pose, no motion, no performance. @Image3 and beyond (further angles of the same product, or this person's face close-up) carry appearance only. No reference contributes a scene, a camera move or a spoken line, and where a reference and this prompt disagree about what happens, this prompt decides.

LOCATION:
a small wooden side table beside a sunlit living-room window, with soft sheer curtains and a folded throw blanket in the background

FIRST FRAME:
0.0s — the fixed surveillance frame is already rolling, timestamp ticking in the corner, the table empty and waiting; the person enters already cradling the matte sandy-beige ceramic diffuser bottle in one hand, rattan sticks still upright and untouched inside it, about to set the product down in hero position.

ACTION TIMING:
0–3s — Locked surveillance view holds steady. The person enters frame, cradling the matte sandy-beige ceramic diffuser bottle in one hand, rattan sticks still upright and untouched inside it, and sets the product down on a folded throw blanket, its face readable to the fixed lens.
3–7s — The person performs its one control, steadying the ceramic bottle in one hand and lifting one rattan stick straight up and out with the other, holding the withdrawn stick between two fingers above the bottle mouth, then exits frame, leaving the product alone in hero position under the locked camera.
7–11s — The frame holds on empty stillness with the product in the middle of shot, timestamp advancing, until bringing the lifted rattan stick close under her nose and drawing a slow breath in near its scent-darkened tip begins in view, the product staying visible throughout.
11–15s — The person walks back into frame and stops short, catching what is happening mid-motion. the rattan stick's tip visibly glistens with soaked-in oil as it's lifted out, and her face relaxes into a genuine inhale reaction The frame holds on the tableau as the closing line lands over it as voice-over. If anything came off the product at any point — cap, lid, seal, film, wrap, zip pull, band — it is still resting exactly where it was set down, visible in this frame; if the product has no separable part, nothing is set down and nothing is expected here.

DIALOGUE:
0–3s — "이 방 며칠째 왜 이렇게 좋은 냄새 나냐고요?"
3–7s — "라탄 스틱이 향을 계속 빨아올려서 퍼뜨리는 거래요"
7–11s — "이거 봐요, 며칠 지났는데 처음이랑 향이 똑같아요"
11–15s — "책상 위에 하나 놔두면 매일 이 기분이에요"

PERFORMANCE:
LINE_1 — 진짜 궁금해서 묻는 척하며 시청자를 살짝 향해 눈을 크게 뜨고 고개를 갸웃한다
LINE_2 — 방금 알아낸 걸 알려주고 싶어 스틱을 살짝 들어 보이며 눈썹을 올린다
LINE_3 — 놀라움을 나누고 싶어 병 입구에 코를 가까이 대고 숨을 들이쉰 뒤 시청자 쪽으로 살짝 내민다
LINE_4 — 만족스러운 결론을 건네듣이 입꼬리를 올리고 병을 가볍게 톡톡 두드린다
Gaze stays engaged and alive the whole way through, with a natural blink cadence and active forehead and brows. No frozen mask-face, no dead eyes, no held stare parked between lines. Micro-motion continues while the person is not speaking — breathing, a small shift of weight, a glance.

PHYSICS:
- 무광 도자기 병 표면은 빛을 흡수해 매트하게 보이고, 손이 스치면 미세한 마찰음만 난다
- 라탄 스틱은 가늘고 결이 거친 나무 막대로, 병에서 뽑으면 살짝 뻑뻑하게 저항하다 빠져나온다
- 스틱 끝은 향 원액을 머금어 색이 짙게 배어 있고, 흔들어도 액체가 튀지 않는다
- NEVER: 도자기 병이 투명해지거나 안의 액체 색과 양이 눈에 보여서는 안 된다

AUDIO:
light, warm acoustic background music plays softly under the scene at low volume, with the spoken lines staying clearly the loudest element; small diegetic sounds — the stick sliding out of the bottle, a soft sniff, fabric rustle from the throw blanket — stay audible underneath

LOCKS:
① Exactly one product: one unit only, present on the table from the moment it is set down. It is never handed over, unboxed, revealed or duplicated — anything the use moment produces came from it on camera.
② Product surface text lock: print, logo and label exactly as @Image2. Nothing is ever printed onto it.
③ Only the person, the product and what PROPS names are what the shot features; the location's own fixtures and furniture may be present but stay unbranded and out of focus. No other brand's product, packaging, logo or readable mark appears anywhere, and no second person enters.
④ Lens gaze: never to-lens — the camera is a fixed unmanned surveillance eye; the person's attention stays on the table and the product, never acknowledging the camera.
⑤ Continuity of parts and hands: **if** anything comes off the product — a cap, a lid, a film, a wrap, a zip pull, a band — it stays visible somewhere in frame for the rest of the clip and is never re-attached, re-sealed or allowed to vanish between shots. Many products have no separable part at all; for those this clause simply does not apply and nothing is expected to be set down. The hands obey the same continuity either way: a control that needs two hands is not performed while one hand is holding something else.

PROPS:
a folded throw blanket

STYLE:
Vertical 9:16, editorial fashion film montage — composed camera moves, deliberate walking and turning, photoreal skin and fabric weight. Available light or clean studio light. No on-screen text, no graphics of any kind.

Pore-level skin realism — visible pores, fine vellus hair, natural asymmetry in the face and hands. Skin stays unsmoothed and unretouched; part of the face is allowed to fall into shadow.
Matte, non-reflective surfaces. Lived-in, worn materials with real wear on them. No plastic sheen, no digital gloss.
Hair keeps individual strands and stray flyaways rather than a moulded shape.
This is a real person filmed on a phone, not a rendered portrait.

REFERENCES:
@Image1 — the person: 30대 한국 남성, 짧은 검은 머리, 짙은 회색 크루넥 스웨트셔츠, 편안한 표정. 100% match.
@Image2 — the product: 짙은 네이비 니트 갑피에 두꺼운 흰 폼 미드솔. 100% match; every word, logo and label exactly as the reference.

Scope — @Image1 carries appearance AND performance: it is also how this person holds themselves. @Image2 carries appearance ONLY — no pose, no motion, no performance. @Image3 and beyond (further angles of the same product, or this person's face close-up) carry appearance only. No reference contributes a scene, a camera move or a spoken line, and where a reference and this prompt disagree about what happens, this prompt decides.

LOCATION:
A narrow standing-height counter area inside a busy retail stockroom-turned-fitting-corner, with a plain metal shelf and a small stool visible in the background, no other branded boxes in view.

FIRST FRAME:
0.0s — wide establishing frame, camera still, 30대 한국 남성, 짧은 검은 머리, 짙은 회색 크루넥 스웨트셔츠, 편안한 표정 standing alone in the space already standing with weight shifted onto both feet, one hand resting loosely on his own hip, wearing the product, before any movement begins.

ACTION TIMING:
0–2s — Wide establishing frame, camera still. She stands alone, then begins to move, emerging into the shot.
2–4s — Full-body walking or a held pose toward the lens, the camera holding as she passes close, the whole fit reading clearly head to toe.
4–7s — Cut to a macro insert on the product: using both hands to pull the knit collar open and stepping down fully into the shoe, then repeating with the other foot, no separate part removed, the weave, seam or edge filling the frame, a small metal stool visible nearby if it falls in frame.
7–10s — Cut to a three-quarter or back angle as she turns, the shape and silhouette following her movement. shifting his weight heel to toe a few times on the spot, testing how the thick white midsole compresses and settles under his full body weight
10–13s — Cut to a composed medium portrait, chin slightly up, plus one further detail cut that reinforces fit. pressing a thumb into the white midsole right after standing shows it spring back to its original height within a second, and his foot shows no visible swelling or red pressure marks when he lifts the ankle of his sweatpants to look
13–15s — Final hero frame: she is still, centred, the product reading clearly head to toe. If anything came off the product at any point — cap, lid, seal, film, wrap, zip pull, band — it is still resting exactly where it was set down, visible in this frame; if the product has no separable part, nothing is set down and nothing is expected here.

DIALOGUE:
0–2s — "이거 신고 하루 종일 서 있었거든요."
4–7s — "근데, 퇴근할 때 발을 봤는데 안 부었더라고요."
7–10s — "이 두꺼운 흰 폼이 진짜 든든하게 받쳐주네요."
13–15s — "이 정도면 하루종일 서 계시는 분들한테 딱이에요."

PERFORMANCE:
LINE_1 — 하루의 피로를 떠올리며 담담하게 운을 떼려는 의도, 살짝 숨을 내쉬고 신발을 내려다본다.
LINE_2 — 예상 밖의 결과를 발견해 시청자에게 직접 보여주려는 의도, 눈을 크게 뜨고 발을 살짝 들어 보인다.
LINE_3 — 그 이유를 짚어주며 신뢰를 주려는 의도, 미드솔을 손끝으로 가볍게 눌러 보이며 고개를 끄덕인다.
LINE_4 — 듣는 사람에게 실질적인 결론을 건네려는 의도, 옅은 미소를 지으며 카메라 쪽을 향해 살짝 몸을 기울인다.
Gaze stays engaged and alive the whole way through, with a natural blink cadence and active forehead and brows. No frozen mask-face, no dead eyes, no held stare parked between lines. Micro-motion continues while the person is not speaking — breathing, a small shift of weight, a glance.

PHYSICS:
- 짙은 네이비 니트 갑피는 발등을 따라 부드럽게 늘어나고 접히며, 발목 움직임에 자연스럽게 주름진다.
- 두꺼운 흰 폼 미드솔은 걸을 때 눌리면서 살짝 눌린 자국이 남았다가 천천히 원래 모양으로 돌아온다.
- 바닥에 내려놓거나 신을 때 니트 특유의 사각거리는 마찰음은 거의 없고 폼 밑창이 바닥에 닿을 때만 낮고 둔한 소리가 난다.
- NEVER: 흰 폼 미드솔이 액체처럼 흘러내리거나 유리처럼 딱딱하게 깨지는 모습은 절대 나오지 않는다.

AUDIO:
no music at all — only room tone from the stockroom, the soft compress of foam underfoot, and the spoken lines, which stay the loudest sound in the mix

LOCKS:
① Exactly one product: one unit only, worn from the first frame. It is never handed over, unboxed, revealed or duplicated — it stays on her body throughout, the same single unit in every cut.
② Product surface text lock: print, logo and label exactly as @Image2. Nothing is ever printed onto it.
③ Only the person, the product and what PROPS names are what the shot features; the location's own fixtures and furniture may be present but stay unbranded and out of focus. No other brand's product, packaging, logo or readable mark appears anywhere, and no second person enters.
④ Lens gaze: never to-lens; she looks past or beyond the camera throughout, absorbed in movement and pose rather than addressing the viewer directly.
⑤ Continuity of parts and hands: **if** anything comes off the product — a cap, a lid, a film, a wrap, a zip pull, a band — it stays visible somewhere in frame for the rest of the clip and is never re-attached, re-sealed or allowed to vanish between shots. Many products have no separable part at all; for those this clause simply does not apply and nothing is expected to be set down. The hands obey the same continuity either way: a control that needs two hands is not performed while one hand is holding something else.

PROPS:
a small metal stool

STYLE:
Vertical 9:16, photoreal phone footage — polished ad mix, kinetic handheld coverage that shifts to stable framing for the payoff. No on-screen text, no graphics of any kind.

Pore-level skin realism — visible pores, fine vellus hair, natural asymmetry in the face and hands. Skin stays unsmoothed and unretouched; part of the face is allowed to fall into shadow.
Matte, non-reflective surfaces. Lived-in, worn materials with real wear on them. No plastic sheen, no digital gloss.
Hair keeps individual strands and stray flyaways rather than a moulded shape.
This is a real person filmed on a phone, not a rendered portrait.

REFERENCES:
@Image1 — the person: 30대 한국 남성, 짧은 검은 머리, 짙은 회색 크루넥 스웨트셔츠, 편안한 표정. 100% match.
@Image2 — the product: 무광 올리브색 금속 몸체에 유리 패널, 접이식 손잡이. 100% match; every word, logo and label exactly as the reference.

Scope — @Image1 carries appearance AND performance: it is also how this person holds themselves. @Image2 carries appearance ONLY — no pose, no motion, no performance. @Image3 and beyond (further angles of the same product, or this person's face close-up) carry appearance only. No reference contributes a scene, a camera move or a spoken line, and where a reference and this prompt disagree about what happens, this prompt decides.

LOCATION:
inside a small pitched tent at night, a rolled sleeping bag and a folded camp chair visible in the dim interior

FIRST FRAME:
0.0s — strong wide, front-tracking, hero-framed shot; the person is already mid-situation, cradling the lantern in both hands at chest height, reacting to something already underway, product clamped in one hand.

ACTION TIMING:
0–2s — Dropped straight into a heightened situation, reaction already in motion, product held tight through it.
2–6.5s — The set-piece builds fast: she braces against it with one arm while the product stays clamped in her other hand; holding the lantern steady with one hand and flicking the fold-out metal handle upright with the other, the handle staying raised and locked in place lands as one to three quick disruption or comedy beats, coverage turns kinetic — tracking, low angles, whip cuts, push-ins.
6.5–9s — The motion resolves, everything goes still, the scenario flips or settles into the product's arrival; camera shifts to stable, centered coverage.
9–12.5s — Clean hero shot on 무광 올리브색 금속 몸체에 유리 패널, 접이식 손잡이, squared to camera, centred, front-facing, fully readable in her hands, its own beat before the reaction.
12.5–15s — the glass panel lights up evenly the moment the handle clicks into position, casting a steady warm glow across the tent interior She the glass panel lights up evenly the moment the handle clicks into position, casting a steady warm glow across the tent interior. the lantern stays lit at full brightness on screen without flickering or dimming, showing it is still running strong The calm after the noise lands. She looks into the lens and delivers the line. If anything came off the product at any point — cap, lid, seal, film, wrap, zip pull, band — it is still resting exactly where it was set down, visible in this frame; if the product has no separable part, nothing is set down and nothing is expected here.

DIALOGUE:
0–2s — "이 랜턴, 완전 미쳤어요."
2–6.5s — "캠핑장에서 딱 한 번 충전했는데, 이틀 밤을 그냥 버티더라고요."
6.5–9s — "보세요, 아직 이렇게 쨍하게 켜져 있어요."
9–15s — "이제 배터리 걱정은 진짜 안 해도 되겠어요."

PERFORMANCE:
LINE_1 — 놀라움을 툭 던지듯 전달, 랜턴을 살짝 들어 보이며 눈썹을 올리는 짧은 반응
LINE_2 — 직접 겪은 걸 담담히 들려주는 태도, 고개를 살짝 끄덕이며 편안하게 말함
LINE_3 — 발견을 상대에게 보여주는 몸짓, 손을 살짝 뻗어 랜턴 불빛 쪽을 가리킴
LINE_4 — 안도와 만족을 상대에게 건네는 톤, 살짝 미소 지으며 랜턴을 가볍게 쥐어 보임
Gaze stays engaged and alive the whole way through, with a natural blink cadence and active forehead and brows. No frozen mask-face, no dead eyes, no held stare parked between lines. Micro-motion continues while the person is not speaking — breathing, a small shift of weight, a glance.

PHYSICS:
- 무광 올리브색 금속 바디에 유리 패널이 박혀 있어, 표면이 손전등처럼 매끈하게 빛을 반사한다\n- 접이식 손잡이는 관절 부분에서 뻣뻣하게 꺾이며 금속끼리 부딪히는 낮은 딸깍 소리를 낸다\n- 유리 패널 안쪽 LED 불빛은 흔들림 없이 일정한 밝기로 뿜어져 나온다\n- NEVER: 랜턴 몸체가 말랑하게 휘거나 유리 패널이 액체처럼 흘러내리지 않는다

AUDIO:
a light, understated acoustic bed plays low under the scene, night ambience of soft wind and distant crickets audible beneath it, with a soft click SFX timed to the handle locking and the lit reveal; the spoken lines stay mixed clearly above all of it

LOCKS:
① Exactly one product: one unit only, clamped in her hand from the first frame through the set-piece. It is never handed over, unboxed, revealed from packaging or duplicated — the hero shot and the use moment are both this same unit.
② Product surface text lock: print, logo and label exactly as @Image2. Nothing is ever printed onto it.
③ Only the person, the product and what PROPS names are what the shot features; the location's own fixtures and furniture may be present but stay unbranded and out of focus. No other brand's product, packaging, logo or readable mark appears anywhere, and no second person enters.
④ Lens gaze: never to-lens during the set-piece — her focus stays on the escalating situation; she turns to-lens only once stillness lands, holding it through the hero shot and the closing line.

⑤ Continuity of parts and hands: **if** anything comes off the product — a cap, a lid, a film, a wrap, a zip pull, a band — it stays visible somewhere in frame for the rest of the clip and is never re-attached, re-sealed or allowed to vanish between shots. Many products have no separable part at all; for those this clause simply does not apply and nothing is expected to be set down. The hands obey the same continuity either way: a control that needs two hands is not performed while one hand is holding something else.

PROPS:
a rolled sleeping bag and a folded camp chair

STYLE:
Vertical 9:16, photoreal phone footage — eye-level, locked-off camera, natural skin and fabric texture, available light only. No on-screen text, no graphics of any kind.

Pore-level skin realism — visible pores, fine vellus hair, natural asymmetry in the face and hands. Skin stays unsmoothed and unretouched; part of the face is allowed to fall into shadow.
Matte, non-reflective surfaces. Lived-in, worn materials with real wear on them. No plastic sheen, no digital gloss.
Hair keeps individual strands and stray flyaways rather than a moulded shape.
This is a real person filmed on a phone, not a rendered portrait.

REFERENCES:
@Image1 — the person: 30대 한국 여성, 검은 머리를 낮게 묶고 옅은 미소. 100% match.
@Image2 — the product: 흰색 무광 타워형 선풍기, 원형 받침, 상단에 버튼 세 개. 100% match; every word, logo and label exactly as the reference.

Scope — @Image1 carries appearance AND performance: it is also how this person holds themselves. @Image2 carries appearance ONLY — no pose, no motion, no performance. @Image3 and beyond (further angles of the same product, or this person's face close-up) carry appearance only. No reference contributes a scene, a camera move or a spoken line, and where a reference and this prompt disagree about what happens, this prompt decides.

LOCATION:
a dim bedroom at night, the fan standing on the floor beside a low bedside table with a single lamp casting soft warm light

FIRST FRAME:
0.0s — eye-level medium framing, the person centred at medium distance, already standing beside the fan with one hand resting lightly on its rounded top, looking straight into the lens mid-thought as if already talking to someone.

ACTION TIMING:
0–3s — Centred medium framing, product already held at chest or face height. She opens straight into what she wants to say — no preamble, no greeting.
3–8s — She raises the product toward the lens until it fills the middle of the frame, turns it once so the front face reads, then performs its one control: reaching up with one hand and pressing one of the three top buttons once, her fingertip lifting off immediately after the click
8–11s — The camera pushes in on the product as the fan's head staying still while the internal blades spin up smoothly, sending a steady stream of air across the room so the result is unmistakable — it stays on it rather than cutting away.
11–15s — She lowers the product back to chest height, returns to centred medium framing, looks into the lens, and taps the product twice with a fingertip. she leans her ear close to the fan's body for a moment, visibly finding no harsh whirring, only a soft steady airflow sound She lands the closing line as she does. If anything came off the product at any point — cap, lid, seal, film, wrap, zip pull, band — it is still resting exactly where it was set down, visible in this frame; if the product has no separable part, nothing is set down and nothing is expected here.

DIALOGUE:
0–3s — "이거 밤에 틀어놓고 처음으로 안 깼어요."
3–8s — "타이머 맞춰놓고 끄던 습관, 이제 필요 없더라고요."
8–11s — "버튼 세 개 중에 이거 눌러보세요, 진짜 무음이에요."
11–15s — "이 정도면 밤새 틀어놔도 되겠는데요."

PERFORMANCE:
LINE_1 — 놀라움을 눌러 담아 전하려는 의도, 눈을 살짝 크게 뜨고 짧은 숨을 내쉬며 말한다
LINE_2 — 예전 습관이 사라졌다는 걸 가볍게 털어놓는 의도, 어깨를 살짝 으쓱하며 편안하게 웃는다
LINE_3 — 상대에게 직접 권하는 의도, 버튼 쪽을 손끝으로 가리키며 몸을 살짝 기울인다
LINE_4 — 마지막 확신을 담아 정리하는 의도, 고개를 살짝 끄덕이며 여유 있게 미소 짓는다
Gaze stays engaged and alive the whole way through, with a natural blink cadence and active forehead and brows. No frozen mask-face, no dead eyes, no held stare parked between lines. Micro-motion continues while the person is not speaking — breathing, a small shift of weight, a glance.

PHYSICS:
- 무광 흰색 플라스틱 타워 바디, 원형 받침 위에 세워진 구조
- 내부 팬 블레이드가 돌아가며 바람을 위아래 슬릿으로 분산시켜 내보냄
- 상단 버튼 세 개는 눌릴 때 짧고 낮은 클릭음만 남
- NEVER: 타워 바디가 흔들리거나 기울어지며 넘어지지 않는다

AUDIO:
no music; the room stays quiet enough that the fan's faint airflow hum and her spoken lines are the only sounds in the mix

LOCKS:
① Exactly one product: one unit only, present from the first frame. It is never handed over, unboxed, revealed or duplicated — anything the use moment produces came from it on camera.
② Product surface text lock: print, logo and label exactly as @Image2. Nothing is ever printed onto it.
③ Only the person, the product and what PROPS names are what the shot features; the location's own fixtures and furniture may be present but stay unbranded and out of focus. No other brand's product, packaging, logo or readable mark appears anywhere, and no second person enters.
④ Lens gaze: to-lens throughout; eyes drop to the product only during the control and the use moment.
⑤ Continuity of parts and hands: **if** anything comes off the product — a cap, a lid, a film, a wrap, a zip pull, a band — it stays visible somewhere in frame for the rest of the clip and is never re-attached, re-sealed or allowed to vanish between shots. Many products have no separable part at all; for those this clause simply does not apply and nothing is expected to be set down. The hands obey the same continuity either way: a control that needs two hands is not performed while one hand is holding something else.

PROPS:
a small bedside lamp

STYLE:
Vertical 9:16, photoreal phone footage — handheld, natural micro-shake, spontaneous reframing, real skin and fabric weight. Available light only. No on-screen text, no graphics of any kind.

Pore-level skin realism — visible pores, fine vellus hair, natural asymmetry in the face and hands. Skin stays unsmoothed and unretouched; part of the face is allowed to fall into shadow.
Matte, non-reflective surfaces. Lived-in, worn materials with real wear on them. No plastic sheen, no digital gloss.
Hair keeps individual strands and stray flyaways rather than a moulded shape.
This is a real person filmed on a phone, not a rendered portrait.

REFERENCES:
@Image1 — the person: 30대 한국 여성, 검은 머리를 낮게 묶고 옅은 미소. 100% match.
@Image2 — the product: 크라프트 스탠딩 파우치, 투명창으로 동그란 비스킷이 보임. 100% match; every word, logo and label exactly as the reference.

Scope — @Image1 carries appearance AND performance: it is also how this person holds themselves. @Image2 carries appearance ONLY — no pose, no motion, no performance. @Image3 and beyond (further angles of the same product, or this person's face close-up) carry appearance only. No reference contributes a scene, a camera move or a spoken line, and where a reference and this prompt disagree about what happens, this prompt decides.

LOCATION:
a bright home living room floor near a dog's training mat, with a water bowl visible nearby

FIRST FRAME:
0.0s — front-camera selfie framing, arm's length, the person already cradling the unopened kraft standing pouch against her palm, the clear window showing round biscuits inside, mid-complaint before the shot even settles.

ACTION TIMING:
0–3s — Selfie framing, arm's length. She's mid-complaint about the small annoyance, sighing, a little frazzled, no greeting, straight into it.
3–5s — She reaches off-frame and brings the product up into the shot with one hand, turning it once so the front face reads clearly, introducing it as the fix.
5–8s — Camera holds tight on the product as she performs its one control: holding the pouch steady in one hand and tearing open the top seal with the other, the torn strip staying pinched between her fingers and reaching in and snapping one round biscuit in half with both hands, the halves separating cleanly along a natural seam It works on the first try, camera staying on it rather than cutting away.
8–12s — Back to selfie framing. Her shoulders drop, she laughs at how simple it was. the biscuit visibly splits into two even pieces at the seam with a light dry snap, a few crumbs falling onto her palm She holds the product up beside her face, still slightly out of breath.
12–15s — Bright, quick recommendation lands straight into the lens, product still in frame beside her face. If anything came off the product at any point — cap, lid, seal, film, wrap, zip pull, band — it is still resting exactly where it was set down, visible in this frame; if the product has no separable part, nothing is set down and nothing is expected here.

DIALOGUE:
0–3s — "이거 봐, 손으로 이렇게 툭 쪼개져."
3–5s — "훈련 간식으로 나눠주기 딱 좋겠는데?"
5–8s — "봉지 뜯자마자 비스킷 냄새가 확 올라와."
8–12s — "한 손으로 반씩 쪽쪽 갈라지니까 훈련 리듬이 안 끊겨."
12–15s — "이 정도면 우리 강아지 최애 훈련템 등극이야."

PERFORMANCE:
LINE_1 — 놀라움과 신기함을 전하려 함, 눈을 크게 뜨고 비스킷을 살짝 들어 보이며 가볍게 웃는다
LINE_2 — 시청자에게 쓸모를 확인시켜주려 함, 고개를 끄덕이며 손바닥 위 조각을 카메라 쪽으로 살짝 기울인다
LINE_3 — 감각적 발견을 나누려 함, 파우치를 살짝 들어 코 가까이 가져가며 숨을 들이쉬는 몸짓
LINE_4 — 실용성을 확신 있게 짚어주려 함, 두 조각을 양손에 나눠 쥐고 리듬감 있게 흔든다
LINE_5 — 애정 어린 결론을 건네려 함, 짧게 숨을 내쉬고 만족스러운 미소로 마무리한다
Gaze stays engaged and alive the whole way through, with a natural blink cadence and active forehead and brows. No frozen mask-face, no dead eyes, no held stare parked between lines. Micro-motion continues while the person is not speaking — breathing, a small shift of weight, a glance.

PHYSICS:
- 크라프트 스탠딩 파우치 안에 동그란 비스킷 트릿이 여러 개 들어있다
- 비스킷은 단단하고 건조해 손으로 힘을 주면 결을 따라 갈라진다
- 쪼개질 때 마른 부스러기가 살짝 떨어지고 파우치 안에서 서로 부딪히는 마른 소리가 난다
- NEVER: 비스킷에서 액체나 기름이 흐르거나 눌러도 눌리지 않는다

AUDIO:
no music; the dry snap of the biscuit breaking, the crinkle of the kraft pouch, and her spoken lines stay the loudest and clearest sounds in the mix

LOCKS:
① Exactly one product: one unit only, brought into frame once from off-frame at 3–5s. It is never handed over, unboxed, revealed as packaging or duplicated — anything the use moment produces came from it on camera.
② Product surface text lock: print, logo and label exactly as @Image2. Nothing is ever printed onto it.
③ Only the person, the product and what PROPS names are what the shot features; the location's own fixtures and furniture may be present but stay unbranded and out of focus. No other brand's product, packaging, logo or readable mark appears anywhere, and no second person enters.
④ Lens gaze: to-lens throughout the complaint and the recommendation; eyes drop to the product only during the control and the use moment.
⑤ Continuity of parts and hands: **if** anything comes off the product — a cap, a lid, a film, a wrap, a zip pull, a band — it stays visible somewhere in frame for the rest of the clip and is never re-attached, re-sealed or allowed to vanish between shots. Many products have no separable part at all; for those this clause simply does not apply and nothing is expected to be set down. The hands obey the same continuity either way: a control that needs two hands is not performed while one hand is holding something else.

PROPS:
a dog training mat

STYLE:
Vertical 9:16, photoreal phone footage — hands-only UGC demo, mostly locked or lightly handheld, simple close-ups and medium shots. Available light only. No on-screen text, no graphics of any kind.

Pore-level skin realism — visible pores, fine vellus hair, natural asymmetry in the face and hands. Skin stays unsmoothed and unretouched; part of the face is allowed to fall into shadow.
Matte, non-reflective surfaces. Lived-in, worn materials with real wear on them. No plastic sheen, no digital gloss.
Hair keeps individual strands and stray flyaways rather than a moulded shape.
This is a real person filmed on a phone, not a rendered portrait.

REFERENCES:
@Image1 — the hands: 30대 한국 여성, 검은 머리를 낮게 묶고 옅은 미소. 100% match.
@Image2 — the product: 흰 본체에 투명 먼지통, 얇은 금속 관. 100% match; every word, logo and label exactly as the reference.

Scope — @Image1 carries appearance AND performance: it is also how this person holds themselves. @Image2 carries appearance ONLY — no pose, no motion, no performance. @Image3 and beyond (further angles of the same product, or this person's face close-up) carry appearance only. No reference contributes a scene, a camera move or a spoken line, and where a reference and this prompt disagree about what happens, this prompt decides.

LOCATION:
a bright living room with a fabric sofa and a rug on a wooden floor

FIRST FRAME:
0.0s — tight close-up, hands already holding the cordless vacuum upright with both hands on the handle, the clear dust cup still empty and visible over the surface she is about to clean, the mess filling the frame before anything else enters.

ACTION TIMING:
0–2s — Tight close-up holds on the surface she is about to clean, the mess filling the frame, nothing else in shot yet.
2–3.5s — A hand brings the product into frame, label toward the lens, pausing on the worst part of the mess before contact.
3.5–7.5s — The hand applies the product directly to the worst part and performs its one control: pressing the single power switch on the handle with her thumb, the switch clicking on with one hand while the other hand steadies the metal tube
7.5–10.5s — sweeping the thin metal tube once across the rug near the sofa, dust and hair visibly pulled up through the tube into the clear cup The same hand wipes across in one slow pass and the dirt visibly lifts with it in a single stroke; a second pass finishes the edge. The camera holds on the clean result.
10.5–15s — Camera pulls back to a wider reveal. the clear dust cup fills visibly with a small swirl of dust and hair right after the single pass, seen through the transparent plastic in the same shot End on the cleaned surface with the product staged beside it as the hero, label facing the lens. If anything came off the product at any point — cap, lid, seal, film, wrap, zip pull, band — it is still resting exactly where it was set down, visible in this frame; if the product has no separable part, nothing is set down and nothing is expected here.

DIALOGUE:
0–2s — "이거 봐요, 방금 한 번 지나갔는데"
2–3.5s — "먼지통 보이세요?"
3.5–7.5s — "바닥 멀쩡해 보였는데 이만큼이 바로 통에 쌓였어요"
7.5–10.5s — "관도 얇아서 소파 밑까지 쓱 들어가네요"
10.5–15s — "눈에 바로 보이니까 안 돌릴 수가 없죠"

PERFORMANCE:
LINE_1 — 놀라움을 상대에게 보여주려는 의도, 눈을 크게 뜨고 청소기를 살짝 들어 보인다
LINE_2 — 시청자에게 직접 확인시키려는 의도, 먼지통을 카메라 쪽으로 기울이며 손끝으로 가리킨다
LINE_3 — 발견을 나눠주려는 의도, 살짝 숨을 들이쉬며 믿기지 않는다는 듯 고개를 젓는다
LINE_4 — 실용성을 짚어주려는 의도, 관을 소파 밑으로 슥 밀어넣는 손동작
LINE_5 — 결론을 던지는 의도, 살짝 웃으며 고개를 끄덕인다
Gaze stays engaged and alive the whole way through, with a natural blink cadence and active forehead and brows. No frozen mask-face, no dead eyes, no held stare parked between lines. Micro-motion continues while the person is not speaking — breathing, a small shift of weight, a glance.

PHYSICS:
- 본체는 흰색 플라스틱, 먼지통은 투명 재질로 내부가 그대로 드러난다
- 금속 관은 얇고 가벼워 한 손으로 방향을 바꿔도 휘청이지 않는다
- 흡입 시 먼지와 머리카락이 통 안에서 빙글빙글 돌며 쌓인다
- NEVER: 투명 먼지통 안의 먼지가 저절로 사라지거나 통이 꽉 찬 상태에서 다시 텅 비어 보이지 않는다

AUDIO:
light upbeat instrumental UGC-style music plays quietly under the scene, with the vacuum's motor whir and the soft rush of suction staying clearly audible, and the spoken lines remain the loudest element throughout

LOCKS:
① Exactly one product: one unit only, present from its first entry into frame. It is never handed over, unboxed, revealed from packaging or duplicated — the clean result comes only from what it does on camera.
② Product surface text lock: print, logo and label exactly as @Image2. Nothing is ever printed onto it.
③ Only the hands, the product and what PROPS names are what the shot features; the location's own fixtures and furniture may be present but stay unbranded and out of focus. No other brand's product, packaging, logo or readable mark appears anywhere, and no face or second person enters.
④ Lens gaze: never to-lens — this is an observational hands-only demo; the camera watches the surface and the product throughout, never a face.

⑤ Continuity of parts and hands: **if** anything comes off the product — a cap, a lid, a film, a wrap, a zip pull, a band — it stays visible somewhere in frame for the rest of the clip and is never re-attached, re-sealed or allowed to vanish between shots. Many products have no separable part at all; for those this clause simply does not apply and nothing is expected to be set down. The hands obey the same continuity either way: a control that needs two hands is not performed while one hand is holding something else.

PROPS:
a fabric sofa and a rug

STYLE:
Vertical 9:16, photoreal macro-to-hero product footage — clean controlled camera, soft push-ins and orbits, no handheld shake, no on-screen text, no graphics of any kind. No people, no hands.

Pore-level skin realism — visible pores, fine vellus hair, natural asymmetry in the face and hands. Skin stays unsmoothed and unretouched; part of the face is allowed to fall into shadow.
Matte, non-reflective surfaces. Lived-in, worn materials with real wear on them. No plastic sheen, no digital gloss.
Hair keeps individual strands and stray flyaways rather than a moulded shape.
This is a real person filmed on a phone, not a rendered portrait.

REFERENCES:
@Image1 — the person: 30대 한국 여성, 검은 머리를 낮게 묶고 옅은 미소. Not shown on camera; present only as the brand's implied audience, no on-screen appearance.
@Image2 — the product: 두꺼운 투명 유리에 연한 호박색 액체, 브러시드 실버 캡. 100% match; every word, logo and label exactly as the reference.

Scope — @Image1 carries appearance AND performance: it is also how this person holds themselves. @Image2 carries appearance ONLY — no pose, no motion, no performance. @Image3 and beyond (further angles of the same product, or this person's face close-up) carry appearance only. No reference contributes a scene, a camera move or a spoken line, and where a reference and this prompt disagree about what happens, this prompt decides.

LOCATION:
on a bathroom vanity counter in front of a mirror, morning light coming through a frosted window

FIRST FRAME:
0.0s — extreme macro on the product's logo, so close the surface texture reads, before any wider shape is visible.

ACTION TIMING:
0–2s — Extreme macro on the logo and surface, texture and material reading clearly, building an immediate tactile impression.
2–4s — Cut to the product centred and front-facing in clean light, the whole silhouette read instantly in a still packshot.
4–7s — Cut to the product styled with none arranged around it, connecting its mood and material to the frame.
7–10s — holding the bottle steady in one hand and pulling the brushed silver cap straight off with the other, the cap held loosely between two fingers in extreme close-up, slow and deliberate, the one moving part of the product caught mid-motion.
10–12s — pressing the sprayer once over her exposed wrist, releasing a fine mist that settles onto the skin as the surrounding material lifts and drifts around the product, the camera pulling back to hold it centred.
12–15s — Settle into a centred, still hero frame in on a bathroom vanity counter in front of a mirror, morning light coming through a frosted window, branding fully readable. she lifts her wrist toward her face and lingers there, her expression softening as she catches the scent still present sits beside it as the closing line plays. If anything came off the product at any point — cap, lid, seal, film, wrap, zip pull, band — it is still resting exactly where it was set down, visible in this frame; if the product has no separable part, nothing is set down and nothing is expected here.

DIALOGUE:
0–2s — "이거 아침에 뿌리고 나온 거거든요."
2–4s — "근데 지금까지도 향이 그대로 있어요."
4–7s — "저녁 약속 가는데 다시 안 뿌려도 되겠더라고요."
7–15s — "이거 하나면 진짜 든든하네요."

PERFORMANCE:
LINE_1 — 아침 일상을 가볍게 떠올리는 톤, 손목을 살짝 들어 보이며 편안하게 말한다
LINE_2 — 스스로도 놀란 듯한 발견을 나누는 의도, 눈이 살짝 커지며 손목에 코를 가까이 대본다
LINE_3 — 듣는 사람에게 실용적인 이점을 알려주는 의도, 살짝 고개를 끄덕이며 미소짓는다
LINE_4 — 만족스러운 결론을 건네는 의도, 병을 가볍게 쥐고 작게 웃으며 끝맺는다
Gaze stays engaged and alive the whole way through, with a natural blink cadence and active forehead and brows. No frozen mask-face, no dead eyes, no held stare parked between lines. Micro-motion continues while the person is not speaking — breathing, a small shift of weight, a glance.

PHYSICS:
- 두꺼운 투명 유리 용기 안에 옅은 호박색 액체가 담겨 있고, 기울이면 표면이 천천히 흔들린다
- 브러시드 실버 캡은 무광 금속 질감으로, 뽑을 때 가볍게 딸깍하는 저항이 느껴진다
- 분사 시 미세한 액체 입자가 짧게 퍼지고 유리병 표면에는 지문이 살짝 남는다
- NEVER: 유리병이 압력에 눌리거나 휘어지지 않는다

AUDIO:
upbeat commercial music plays under the clip with a short whoosh sound effect timed to the spray, dropping low under the spoken lines so they stay the loudest element

LOCKS:
① Exactly one product: one unit only, present from the first frame. It is never handed over, unboxed by a person, or duplicated — the one moving part is the product's own closure, and anything the use moment produces came from it on camera.
② Product surface text lock: print, logo and label exactly as @Image2. Nothing is ever printed onto it.
③ Only the product and what PROPS names are what the shot features; the location's own fixtures and furniture may be present but stay unbranded and out of focus. No other brand's product, packaging, logo or readable mark appears anywhere, and no person or hand ever enters the frame.
④ Never to-lens: there is no lens gaze because no face appears; the camera studies the product exclusively throughout.
⑤ Continuity of parts and hands: **if** anything comes off the product — a cap, a lid, a film, a wrap, a zip pull, a band — it stays visible somewhere in frame for the rest of the clip and is never re-attached, re-sealed or allowed to vanish between shots. Many products have no separable part at all; for those this clause simply does not apply and nothing is expected to be set down. The hands obey the same continuity either way: a control that needs two hands is not performed while one hand is holding something else.

PROPS:
none